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UCT cleansing ceremonies a powerful transformation narrative

29 SEPTEMBER 2021 | STORY HELEN SWINGLER.

Burning impepho at the Khoi and San cleansing ceremony held in front of Sarah Baartman Hall. Photo Je’nine May.

This story is republished from the UCT website –  www.news.uct.ac.za see link at end of story

The University of Cape Town (UCT) marked an important milestone in its transformation journey when Khoi and San land cleansing ceremonies were held at three locales on its Rondebosch campuses. The ceremonies are part of UCT’s Heritage Month activities.

They were led by Tauriq Jenkins, the chair of the A/Xarra Restorative Justice Forum, and B’ia Bradley van Sitters. The rituals are an important part of the Khoi and San spiritual heritage, with a restorative significance at UCT.

UCT’s main campus on the back slopes of Table Mountain, or Huri ǂoaxa (Hoerikwaggo, which means “the mountain in the sea”), occupies land that was once home to Khoi and San peoples who were persecuted by early colonial settlers, driven off the land and severely marginalised.

Reconstruction on the roof of the Jagger Reading Room, which was destroyed by a mountain fire in April. Photo Lerato Maduna.

A video of the ceremonies is included in the 29 September Faculty of Humanities San & Khoi Heritage Month Colloquium, “Unburning the Fire” and the Acknowledgement of Land Cleansing ceremony. The significance of “Unburning the Fire” relates to the destruction of the Jagger Reading Room (formerly the JW Jagger Library) in the Table Mountain fire on 18 April 2021. The Jagger Reading Room was home to the significant African Studies Collection, started in 1953.

Reawakening dignity

Khoi and San cleansing ceremonies involve lifting of the (eland) horns and burning impepho, a dried indigenous African plant that the Khoi and San traditionally burn to communicate with their ancestors.

“It’s an acknowledgment of the ancestors, the reawakening of dignity, a connection with the silenced narrative of people whose histories we are celebrating,” said Jenkins, who is also the community engagement strategist for the San and Khoi Centre. His traditional title is High Commissioner of the Goringhaicona Khoi Khoin Traditional Council.

“[These] rituals are also the ones that invocate the ancestors, so very important names are chanted, and the chants are in every direction, from north, east, south and west, as if to summon and also ensure that there is a cyclical component in terms of the rhythm and how the leaders are connecting within the space.”

The Khoi and San cleansing rituals invocate their ancestors; this ceremony held at the site of the Rustenburg Remains near the Kramer Law Building on middle campus. Photo Je’nine May.

Working with the A/Xarra Restorative Justice Forum and Khoi and San leaders, UCT has introduced several initiatives to restore their language, culture and history. The first was a Khoekhoegowab online language short course, launched in 2019 and the first of its kind for a South African university.

The second was the Khoi and San Centre in the Centre for African Studies, which foregrounds erased or marginalised indigenous knowledge, rituals, language and “ways of knowing” of the San and Khoi clans.

The third was renaming Jameson Memorial Hall to Sarah Baartman Hall, a Khoi woman who was captured and paraded as a curiosity in the United Kingdom before her dismembered remains were repatriated to South Africa centuries later.

Participants in the cleansing ceremony on middle campus circle the Rustenburg Remains site. Photo Je’nine May.

Jenkins described the cleansing ceremonies as a “trail of tears”.

The group began near Kramer Law Building on middle campus, locale of the Rustenburg Remains; the human remains of Khoi and San slaves who once worked the lands of the former Rustenburg Farm situated here and discovered during building excavations.

“This is a significant and largely unrecognised epicentre of a history that, in many ways, has not been publicly profiled,” said Jenkins.

The Khoi and San communities hope to have a plaque erected here to commemorate what is still an unmarked grave, he noted.

“Although the Rhodes statue is no longer there, it continues to be a place of dialogue.”

“We hope that students will [learn] about the Rustenburg place and become curious to know that these are sacred terrains; sacred spaces.”

Participants follow the ‘trail of tears’ from middle campus, past the Summer House, through the tunnel and on to upper campus to perform cleansing ceremonies at the Rhodes plinth and at Sarah Baartman Hall. Photo Je’nine May.

“We hope that students will [learn] about the Rustenburg place and become curious to know that these are sacred terrains; sacred spaces.”

The group then moved to upper campus, performing a cleansing ceremony at the Cecil John Rhodes plinth.

“Although the Rhodes statue is no longer there, it continues to be a place of dialogue,” said Jenkins. The cleansing ceremony acknowledged the trauma of students (Fallists) who fought for the statue’s removal in 2015 and played an extraordinary role in changing the face and pace of transformation at UCT.

“Once [the statue of] Rhodes had fallen, we would find that a domino effect also impacted across campus, and for the San and Khoi communities in the A/Xarra Restorative Justice Forum, Sarah Baartman is an epitome of these very powerful, transformative steps that have been taken by the university in conjunction with the community.”

The Fallists had also been part of a history of liberation and resistance that had begun as far back as 1510, he said.

Cleansing ceremony held at the Rhodes plinth on upper campus, which continues to be a place of dialogue, said A/Xarra restorative Justice Forum chair, Tauriq Jenkins. Photo Je’nine May.

“On 1 March 1510, on the banks of the Liesbeeck River, the Portuguese were defeated by the Khoikhoi. And then again, in 1659, when the first frontier wars were fought, just down the road in Observatory, the Dutch East India Company – after having gifted farms to the free burghers – took the territories of the indigenous communities.

“And as a result, a war broke out and that resulted in 180 years of liberation resistance by the San and Khoi, which fanned out through the course of 16 wars and resulted in the genocide of the Cape San and the … forced removal of communities. It was a wave of dispossession and forced migration, which emanated from the epicentre here in the Western Cape, right the way through to Botswana, Namibia, Angola.”

Last, the group moved up to the Sarah Baartman Hall and the remains of the Jagger Reading Room.

At the Sarah Baartman Hall, Jenkins said, “It’s tremendously beautiful when you see that name. I think any student who graduates within the heart and the spirit of Sarah Baartman is also graduating into the depth of South Africa’s past and the depth of our future as a unified and courageous country; [one] that can take a figure like Sarah Baartman, who was disfigured in the most literal and visceral way and who, in many ways, is symbolic of the scramble for Africa … but now … reconnected [to the land] and sitting on the hill, has tremendous resonance.”

Deeper reality and history

But the land cleansing ceremonies reached much deeper, said Jenkins, and are part of a restorative programme and a process of social justice and of articulating this part of history in a different way.

“Acknowledging the San and Khoi footprint also opens up a powerful narrative of belonging for communities in the Western Cape.”

“Acknowledging the San and Khoi footprint also opens up a powerful narrative of belonging for communities in the Western Cape and around this country; a powerful narrative for those communities to also return home and to acknowledge those parts of ourselves as communities that have resonated so much with shame and that have alienated us in many ways.”

Having these kinds of events, he added, is very much about the “unburning” of the library and the kinds of things that can be done to find redress and acknowledge in deeper ways the loss of knowledge in the library.

Reconnecting to the campus, land formerly inhabited by the Khoi and San. Photo Je’nine May.

“[It’s] not so much cordoning off or silencing and cornering this episode … but bringing it to the fore and knowing that it’s part of our history, and we should be actively pushing for a full lens of restorative justice, and full openness in terms of how we accept who we are as South Africans, and how we connect this campus to that past in ways that is respectable and dignified.

“Today … the ritual is returning to campus. And this has been part of a process that has been ongoing since the reintroduction of Khoekhoegowab, which is the Khoi language, by the university. And this move has prompted several linguistic and cultural and spiritual and sacred events and practices on campus. For example, the repatriation of the sacred human remains from the human biology department [to Sutherland]. These processes have to be conducted in ways that are also in sync and respectful to the spiritual and indigenous practices of communities here.”

“But as Sarah Baartman has metaphorically also risen from the ashes, so is the optimism that rises out of the ashes of that library.”

Finally, the group acknowledged the tragedy of the fire damage to the African Studies Collection, a particularly painful episode for the Khoi and San too.

“This is the first time that members of the community have been able to engage with the trauma of

the burning of the library,” said Jenkins. “It held an incredible reservoir of knowledge that is particular to us as Africans, and its burning meant a devastating erasure of knowledge [compounding] the already existing problem of linguicide and ethnocide; the historical erasure of marginalised groups in this country.”

Jenkins said the magnitude of the loss had prompted the community to consider performing another, more focused cleansing ceremony at site of the burning.

“But as Sarah Baartman has metaphorically also risen from the ashes, so is the optimism that rises out of the ashes of that library.”

The original article can be found here – https://www.news.uct.ac.za/article/-2021-09-29-uct-cleansing-ceremonies-a-powerful-transformation-narrative.

Capacity crowd expected for #SuperHeroSunday at Cape Town Stadium

superheroesundaySupporters are urged to jump into action if they are keen to attend the #SuperHeroSunday double-header at Cape Town Stadium on Sunday after more than 50 000 tickets have already been snapped up, with only 1 000 tickets still on sale at Computicket outlets or online.

Tickets, from as little as R50 (or four from R150), are available at Computicket, while corporate hospitality can be arranged via www.circa.co.za – or contact Tharone on 083 642 4240 for more information.

This rugby extravaganza – presented by DStv – will feature all four of South Africa’s Vodacom Super Rugby teams, playing in the colours of prominent Marvel super heroes.

Supporters who bought tickets online are advised to collect tickets in advance from the various Computicket outlets. Gates will open at 12h00 on Sunday and fans are encouraged to make their way to the stadium early. Public are reminded that there will be no ticket sales or collections at the stadium on match day.

The packed crowd will offer a clear demonstration of Capetonians’ passion for rugby, while the teams are sure to try and lay down a marker for the forthcoming season.

Simon Camerer, the Chief Customer Officer of Multichoice, said he is delighted with the fantastic response from local Cape Town supporters for the event.

“There is a real buzz of excitement and it is great for DStv that Capetonians have embraced #SuperHeroSunday, which I’m sure will deliver an unforgettable day of rugby entertainment,” said Camerer.

“The event promises to be an enjoyable family experience, aligning to DStv’s vision to deliver top-class entertainment for the whole family.”

These rugby fixtures are more than unprecedented in a local rugby context because the unique partnership with Marvel puts South African rugby in esteemed company.

Marvel has previously partnered with other sport codes, but this is the first such arrangement with rugby union in Africa, with the DHL Stormers (Thor), Emirates Lions (Spider-Man), Cell C Sharks (Black Panther) and Vodacom Bulls (Captain America) having adopted several of the entertainment giant’s most popular franchises for their theming during the Vodacom Super Rugby season.

They will wear the epic jerseys during Sunday’s special double header event, and thereafter exclusively in most SA derbies. This collaboration echoes previous Marvel partnerships, with the recent Australian Open and the National Rugby League where fans arrived daily dressed in the gear of popular Marvel characters to support their favourites.

Sunday’s television broadcast from Cape Town Stadium will begin at 13h00 (SS1 and SS11). The first match, between the Emirates Lions and Cell C Sharks, kicks off at 14h00, and will be followed by the second game at 16h15 between the DHL Stormers and the Vodacom Bulls.

Issued by SA Rugby Communications and DStv

 

Glamour and entertainment a sure bet at the 2017 Sun Met celebrated with Mumm

South Africa’s oldest horse race and Cape Town’s most anticipated social event makes its way to Kenilworth Racecourse on Saturday 28 January 2017.

The prestigious event returns this time with a myriad of fresh, entertaining and unexpected activities that will leave all racegoers with an unparalleled experience.

Sun International launched their sponsorship of the Sun Met celebrated with Mumm in September this year where the who’s who of the media, fashion and entertainment industry all gathered to witness the birth of something special.

SUN MET CELEBRATED WITH MUMM - DECADES OF GLAMOUR THEME.JPG“With its iconic red sash, Mumm Champagne has accompanied the world’s most daring and glamorous social affairs for almost two centuries and made its mark as an icon of celebration. Building on our partnerships of the Melbourne Cup and Kentucky Derby, we look forward to bringing our daring spirit to life on the African continent in the French ethos of ‘art de vivre’, celebrating heritage and glamour in all its forms”, said Etienne Cassuto-Brand Manager of Mumm.

The event has been a firm favourite with the public dating back to its earliest years, when people attended the race dressed in their finest to see and be seen. Their fashion presence symbolised the essence of glamour and sophistication. Today the 133-year old race is firmly established as a highlight on the social calendar.

It is because of this rich heritage and esteemed legacy that The Sun Met celebrated with Mumm announces the theme for the 2017 Sun Met as ‘Decades of Glamour’.   The launch of the theme was shot using the Miss South Africa 2017 Semi-Finalists, all styled to epitomise glamour, elegance and haute couture in celebration of the events’ proud legacy.

The idea is to allow the public to pick their favourite fashion decade, source their outfits with their friends and enhance their overall experience of The Sun Met celebrated with Mumm. From vintage to modern, daring to classic the theme explores fashion trends dating back to the 1920’s and presents a host of exciting opportunities for all those fashionistas, horseracing fans and punters attending the event to express themselves through style and poise.

To further guide and inspire race-goers they can view some glamourous photographs of the current Miss South Africa Semi-Finalists showcasing the decades at www.suninternational.com Sun Stories tab and then Lifestyle tab.

For some suggestions we have described each decade loosely as follows:

  • 1920s-great-gatsby1920’s – The Great Gatsby: an era of feminine self expression where waists dropped and hemlines rose. The Flapper look was the rage, with long necklaces, cloche hats and chemise or shift dresses storming to the fore.
  • 1930’s – Vintage: known as the Golden Age of Glamour for women’s fashion an era of escapism and glamourous Hollywood starlets. Favouring simple art deco lines the style moved to smaller cloche hats, skirt hems dropped and broad shouldered, puffed sleeves entered the fray.

1930s-1940s-vintage

1940’s – Retro: A decade defined by the war years, the padded or puffed shoulder was the dominant look. The Silhouette with broad square shoulders and trim waist and hips was desired. This was complimented by tiny hats, large bags and nylon stockings.

  • 1950s-polka-dots1950’s – Polka Dots: This decade is influenced by two silhouettes, the wide circle skirt and the pencil skirt. Ball gowns were complimented by elbow length gloves and sparkling jewelry. Summer dresses also incorporated floral and polka dot prints. Chanel introduced suit jackets and slim skirts in highly textured tweeds.

1960s-flower-power

  • 1960’s – Flower Power: The era where no skirt was too short brought the arrival of the mini skirt and hot pants. The hippy revolution was about long hair, long legs and long nights. Bellbottoms bubbled to the surface. The swinging sixties were defined by a number of icons from the gamine supermodel Twiggy to the “original” first lady Jackie Kennedy who brought us skirt suits, pillbox hats and supersized sunglasses.
  • 1970s-disco1970’s – Disco: This decade was all about “freedom”, “identity” and “personal expression”. The hippie culture continued and fashion resulting from this period displayed rebellion. From mini-skirts to wide lapel suits, knee high boots and lace onsie’s the 70’s had it all.
  • 1980’s – Glam Rock: One word comes to mind when you think of 80’s : BIG. It was a time of excess and over-the-top flamboyance. Shows like Dallas and Dynasty depicted bedazzled evening wear studded with sequins and beads. Metallic dress colours like silver and gold also added some shine to this decade.
  • 1990’s – Denim: This decade saw a return to minimalist fashion. Supermodels such1990s-denim as Cindy Crawford, Naomi Campbell and Eva Herzigova towered over the fashion industry during this period. Tailored skirt and trouser suits, short skirts and dresses, baby doll dresses, animal prints, hot pants, slim pants and high heels. High shine fabrics such as satin, metallic, sequins, vinyl and silk were prominent.
  • 2000-modern-fashion2000’s Modern Fashion: An era epitomised by style icons such as J. Lo saw fashion trends such as the boyfriend blazer, statement necklaces paired with classic sheath dresses, skyscraper platform shoes, miniskirts, mix and match prints and cocktail rings.

So ladies, choose your decade and motivate your man to research his outfit for what promises to be the most glamourous event of the year.

Sun International with the other race partners are excited to be elevating the race to its rightful pedestal in the glamour and style stratosphere.

COO of Sun International, Rob Collins said: Sun International aims to ensure that the Sun Met celebrated with Mumm is as unique as our hotels and resorts, where we deliver luxurious, high quality experiences, supported by an authentic dedication to service.

We hope that we can bring this to life at the Sun Met celebrated with Mumm in the years to come, by creating lasting memories filled with glamour and entertainment for all those attending”, added Collins.

So don’t miss out on this premium event, where South Africa’s top designers get the chance to showcase their best work and use the platform to dazzle the crowds with their latest creations inspired by ‘Decades of Glamour’.

Get your tickets now with ticketpro.co.za.

Visit http://www.sunmet.co.za/  for more information.

Join the conversation on Twitter and Facebook with #sunmet

Twitter  – @SunMetZA

Facebook – @TheSunMet

Instagram – @o_cialsunmet

First artists – 2017 Cape Town Jazz Festival

cape-town-international-jazz-festival-2017-196690At a press conference held in Sandton today, The Cape Town International Jazz Festival (CTIJF) heralded its 18th year with a brilliantly edgy, instantly-appealing and musically broad line-up that will captivate jazz purists, world music fans, fusion lovers and soul nostalgics. The first artist announcement line-up that will grace the festival’s five stages on 31st March and 1st April 2017 drew appreciative support from the assembled guests and media.

The CTIJF has consistently shown that it is in tune with what its audience wants. This was proven last year, when the festival earned the number one spot in local festival favourites and was acknowledged as being one of the top music festivals in the world by Fest 300.  Part of its enduring success is its ability to harness the voracious and diverse musical appetite of its fans, fondly known as ‘festinos’. In this carefully considered array of performers, the CTIJF demonstrates its ability to once again deliver what fans expect – an eclectic mix of jazz greats, emerging stars and social commentators with an exceptional experience that leaves a lasting impression (for all the right reasons), against the breath-taking backdrop of one of the world’s most visited cities.

To announce the first local and international artists who will appear at the 18th annual Cape Town International Jazz Festival:

jeff-lorber-paul-jackson-jnr
Paul Jackson Jnr & Jeff Lorber

Contemporary jazz supergroup Jazz Funk Soul with Everette Harp, Jeff Lorber & Paul Jackson Jr (USA), a line-up uniting three of the world’s most admired fusion players:  saxophonist Everette Harp, keyboardist Jeff Lorber and world-renown guitarist Paul Jackson Jr.; one of the most successful female groups of all time, the ‘real funky divas’ of En Vogue (USA); multiple SAMA, KORA and Metro music award winner, guitarist Ernie Smith (SA) and the 2017 winners of the espYoungLegends competition VuDu (SA) – founding members Sisanda “Sunda” Myataza (vocals) and Kristo Zondagh (drums) are joined in this fresh incarnation by Wesley Keet (keyboards) and new bass player Grant Allison to produce a fusion of traditional and African jazz with urban contemporary genres.

ernie-smith
Ernie Smith

Jazz purists will enjoy the multiple award-winning jazz master, alto saxophonist, Rudresh Mahanthappa Bird Calls (USA); award-winning jazz vocalist and critically-acclaimed Gretchen Parlato (USA) who also has the distinction of being the first vocalist to be admitted to the Thelonious Monk Institute of Jazz Performance; the 2016 Standard Bank Young Artist of the Year for Jazz trombonist, vocalist, composer and bandleader Siya Makuzeni (SA); the multi-award winning and supremely talented Skyjack (SA/ CH) quintet comprising of bassist Shane Cooper, pianist Kyle Shepherd, New York-based drummer Kesivan Naidoo, jonas-gwangwatenor saxophonist Marc Stucki and trombonist Andreas Tschopp; Tune Recreation Committee (SA) helmed by trumpeter Mandla Mlangeni with guitarist Keenan Ahrends, Nicholas Williams on bass and Claude Cozens on drums; the award-winning Cape Town born trumpeter Darren English (SA/ USA) and the two-time Oscar-nominee, veteran composer, trombonist, bandleader and director Jonas Gwangwa & Friends (SA).

Leading the line-up for urban fans is producer, singer-songwriter, keyboardist Taylor McFerrin performing with rhythm man and highly-talented drummer Marcus Gilmore (USA); South Africa’s very own articulate activist who uses her musical rap and hip hop to highlight social commentary, Dope Saint Jude (SA); the inimitable, innovative British singer/songwriter and MOBO and Urban Music Award winner Laura Mvula (UK); award-winning, afro funk, jazz and gospel singer Judith Sephuma (SA); the infectious, assertive sound of The Rudimentals (SA) with their firecracker vocals and infectious mix of reggae, rock and dancehall; and the polished sounds of the Sekunjalo Edujazz Band (SA), under the direction of internationally recognised and award-winning arranger and pianist, Andrew Ford.

For the suave, sophisticated and energetic fusion, African reedmen, Grammy-nominated Manu Dibango (Cameroon) and SAMA award-winning Moreira Chonguica (Mozambique); classical vocalist, violinist and composer Deepak Pandit (India) with SAMA-winning trumpeter and composer Marcus Wyatt (SA) and distinguished drummer Ranjit Barot (India); vibrant Latin music sextet Escalandrum (Argentina) led by drummer Daniel ‘Pipi’ Piazzola, grandson of the great Astor Piazzola who revolutionised tango music for new urban audiences; and the much-loved Soweto String Quartet (SA) with violinists Sandile Khemese and Thami Khemese and viola player Makhosini Mnguni, featuring Themba Machobane who replaces Reuben Khemese who sadly passed in September 2016.

Commenting on the CTIJF’s 2017 showcase, Festival Director Billy Domingo reflected, “We are undergoing a musical renaissance, where different musical genres and performers are collaborating to create new sounds for new audiences who may come from different walks of life, but who all appreciate what music has to offer. The Cape Town International Jazz Festival has led the live musical journey on the African continent for the past 17 years, and now in our 18th we are continuing to showcase new talent, new sounds, while staging them alongside music masters. I couldn’t be happier with this line-up as it’s a reflection of where we have come from, where we are now and where we are going.”

Executive Mayor of Cape Town, Alderman Patricia de Lille concurs, “Our City can boast of many jazz icons who have united us around our common love for music and the unique sounds of Cape Town jazz. Those sounds are deeply woven into both our past and our present, and they continue to bring us together. The CTIJF is not just a local favourite, but has rightfully taken its place as one of the primary festivals of its kind on a global scale. Every year it gives us the opportunity to consolidate our position as the events capital of Africa, and brings a national and international audience to our world-class local acts.”

The Minister of Arts and Culture, Mr Nathi Mthethwa, pointed out that: “The Cape Town International Jazz Festival, now in its 18th edition, continues to attract the best musicians from South Africa and abroad; and the musical collaborations that result from this rich engagement produce music that captures the cultural imagination of our people, builds continental cohesion and speaks to the world at large.”

The official sponsors for the 18th annual Cape Town International Jazz Festival 2017 are as follows: The Department of Arts and Culture, Independent Media, PRASA, and host city The City of Cape Town. Other sponsors include Johnny Walker, Amstel and South African Tourism.

Ticket sales for the CTIJF were released earlier this month.  The considerable uptake from an enthusiastic market, endorses this festival’s enduring reputation for producing exceptional entertainment for discerning music fans, with many who return year-on-year, for a memorable experience.

Tickets are available at http://www.computicket.com at the following links:

Weekend Passes: http://bit.ly/2eHG6bJ

Day Passes: http://bit.ly/2fuzXOO

Official hashtag: #CTIJF2017

Facebook: facebook.com/CTJazzFest

Twitter: twitter.com/CTJazzFest

Instagram: Instagram.com/capetownjazzfest

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Kyle Shepherd Trio play Cape Town; Japan Tour next

 

Kyle Shepherd
Kyle Shepherd in a “DREAMSTATE – by gregory frans

The renowned Kyle Shepherd Trio will perform in Cape Town ahead of their Japanese Tour.

 

Just one day before they embark on their highly anticipated Japanese Tour, The Kyle Shepherd Trio, one of South Africa’s most progressive Jazz Trios, performs at The Reeler Theatre at Rondebosch Boys’ High School, Canigou Avenue, Rondebosch, Cape Town on Thursday, 19 May 2016, 8pm.

 

Already a regular visitor to Japan where he has performed mostly solo piano concerts, Shepherd is particularly thrilled that he’s able to tour there with his trio this time round. “After four solo tours – in as many years – to Japan, I’m very happy to be taking my trio to the country which is one of my favorite places in the world to perform in. A big thank you to my tour promoter, Seigo Matsunaga for organising the tour. I’m really looking forward to playing for the wonderful Japanese audiences again!” said Shepherd.Featuring Shepherd on piano, Shane Cooper on double bass and Jonno Sweetman on drums, this inspiring and inventive Trio, who have been together for the past six years, have captivated audiences across South Africa, Canada, Switzerland, China, Mozambique and Botswana. Their debut tour of Canada in June 2015 included performances at the Ottawa International Jazz Festival, the Victoria International Jazz Festival, the Vancouver International Jazz Festival and Festival International de Jazz de Montréal. The Trio performs compositions from band leader, Kyle Shepherd’s rich and evocative repertoire of both recorded and new unreleased original compositions!

“This is a true trio – intricately intertwining as they play Shepherd’s music; pensive and exhilarating by turns.” Nigel Vermaas, Jazz presenter & producer, South Africa.

 

Kyle Shepherd, arguably one of South Africa’s leading progressive pianists and composers of his generation, is fast gaining international recognition for his distinctive compositional style and performances. The twenty-eight-year-old virtuoso pianist who has a well-established record of celebrated performances in South Africa, Europe, Asia, Canada and the USA has already released five (5) critically acclaimed albums in his young career. ‘Dream State’, a 21-track double album of his Trio released in 2014, garnered nominations for both the 2015 South African Music Award [SAMA] and a 2015 Metro FM Music Award in the Jazz Category. His debut solo piano offering ‘Into Darkness’, recorded in Japan, was launched with a tour in the South-East Asian country in the same year [2014] and included a performance at the prestigious Tokyo Jazz Festival. Previous releases ‘fineART’, ‘A Portrait of Home’ & ‘South African History !X’, have also attracted SAMA nominations.

 

The award-winning Shepherd, recipient of both the coveted ‘UNISA National Piano Competition Award [2015] and the ‘Standard Bank Young Artist of the Year’ Award [2014] in the Jazz Category recently completed the music score for an independent film entitled ‘Noem My Skollie’. The film, a moving crime drama set in Cape Town in the late 60s, was written by John Fredericks and directed by Daryne Joshua. Shepherd’s music will also feature prominently in rising independent film-maker Nadine Cloete’s documentary ‘Action Kommandant’ which is based on the life of the South African liberation hero, Ashley Kriel. Both films are set for release later this year [2016].

CONCERT INFORMATION:

Venue: The Reeler Theatre, Rondebosch Boys’ High School, Canigou Avenue, Rondebosch, Cape Town

Date: Thursday, 19 May 2016

Time: 8pm

Entry Fee: R100.00. Students pay R 80:00. Cash at the door.

Reservations: Whatsapp / Sms or call 082 950 7309 or e-mail fineartmusic@gmail.com or the online booking form – http://goo.gl/forms/UICDyVpdet or at the door.

Secure parking is available in Rondebosch Boys’ High School grounds.

Concert-goers who arrive 30 minutes before the show starts will receive a complimentary glass of wine or fruit juice.

JAPANESE TOUR SCHEDULE:

22 & 23 May 2016 – SHIKIORI, Miyawaka, Fukuoka

25 May 2016 – SAIKOUJI, Toyohashi, Aichi

26 May 2016 – KYOTO ART CENTER, Kyoto, Kansai

28 May 2016 – ANYOUINN, Tokyo

29 May 2016 – GARAMAN HALL, Ginoza, Okinawa

30 May 2016 – SCARECROW, Ishigaki Island, Okinawa

01 June 2016 – BOOK CAFÉ BREATHE, Miyako Island, Okinawa

 

MEDIA & CONCERT ENQUIRIES:

Theo Lawrence (fineART Music)

Mobile 072 351 5204

E-mail: fineartmusic@gmail.com

Website: www.kyleshepherd.co.za

 

JAPANESE TOUR ENQUIRIES:

Seigo Matsunaga

E-mail: seigojazz@gmail.com

 

RELATED VENUE:

Reeler Theatre, Rondebosch Boys’ High School, Western Cape, South Africa

 

Artslink.co.za Account:

Theo Lawrence

fineartmusic@gmail.com

072 351 5204

fineART Music CC

www.kyleshepherd.co.za

 

Granville Skippers reviews Ramon Alexander’s “Echoes from Louwskloof”

“Echoes from Louwskloof” a second release from Ramon Alexander
“Echoes from Louwskloof” a second release from Ramon Alexander

Four years after his debut album, “Picnic at Kontiki”, released in 2011, Ramon Alexander treats us to his second album release, “Echoes from Louwskloof”.

The opening track, “Apex” is a top song! This track bursts onto the soundscape with an explosive intro of sax and piano in synchronicity. The listener’s ear is drawn almost immediately to the tone of the sax played by Zeke Le Grange.

The piano and swinging bass line drives an energetic tempo to a brief but impressive drum solo by Annemie Nel.

Then, all of a sudden, the track slows down into a sublime bass interlude by Chadleigh Gowar whose bass picking and bass chord playing meanders deftly back into the main melody but with reduced tempo led by Annemie Nel in a bossa style. Ramon’s piano playing shines intensely on this segment of this track.

“Au Lait” begins with an undulating melody of piano and moody tenor sax then introduces a flugelhorn played by Marco Maritz. Interestingly enough, in his liner notes Ramon states that he wrote this when he was heartbroken and 19 years old. This track is well crafted to reflect the pain of unrequited love filled with moody and tumultuous emotions.

The tempo set by the piano portrays waves of emotion, the sax lines are moody at first then accelerate into impressive scales and octave ranges and at times the flugelhorn wails, lamenting the turmoil of a broken heart.

However, Ramon further states that this track has a completely new meaning to him which is why it builds up to a joyous, triumphant finish.

“This is the Greenhouse that Jack Momple built” is a musical tribute to a man whom Ramon likens as a father. Ramon’s use of the Fender Rhodes creates a vintage sound reminiscent of the era when Jack Momple played drums with Pacific Express, a band of musicians who were ground-breakers both musically and politically during the 1970’s in South Africa.

Jack Momple was a founder member of the band which nurtured many young musicians such as Tony Cedras, Jonathan Butler, Alvin Dyers, Stompie Manana, Barney Rachabane, Basil Coetzee and Robbie Jansen whose musical talents blossomed in the Greenhouse that Jack Momple built.

“I wish I knew Mankunku” is inspired by legendary sax player Winston Mankunku’s version of the Harry Warren / Mack Gordon classic, “I wish I knew”. Zeke aptly honours the memory of Winston Mankunku with excellent phrasing.

Ramon gives his very best on this track with an absolutely stunning piano solo which in itself is a Master Class performance! These two musicians are ably supported by swinging bass and drums.

“A little walk on the beach with a Sea Lion” is a fun title.

On this track Ramon uses the Fender Rhodes to create a melody that sets ones fingers into motion, inspired to keep up with the rhythm of the song.

That sweet sounding sax is as cool as an ice cream Sundae on the beach.

“Giant steps” is renowned as a sax piece as it was composed and made popular by John Coltrane.

However, Ramon leads the track with a classic keyboard sound. Zeke does not disappoint with fluent sax playing throughout, supported by Shaun Johannes on acoustic bass and Annemie Nel’s deft drum work.

“Sons and Captains” is a tribute to two of Ramon’s musical influences, viz:- Robbie Jansen and the sons of Table Mountain as well as Mac McKenzie and the Ghoema Captains.

Ghoema is an authentic Cape Town sound with mesmerising rhythmic drum beats infectiously uplifting the spirits of the listener and most certainly invokes a spontaneous dance in response.

Annemie drives this song with percussive rhythms.

Zeke’s tone is reminiscent of the late Robbie Jansen and Chadleigh’s bass lines reminds one of Mac Mckenzie when he played with The Genuines. Once again, Ramon’s solo commands the listener to take note of and appreciate his immense talent.

This track is a fitting tribute to musical icons that held high the banner of Cape musical traditions.

“Louwskloof se mense” (The people of Louwskloof) pays homage to Ramon’s hometown in Mamre, north of Cape Town. Punchy bass and piano lines with a raspy sax introduce a reflective piece of a legacy left by the Khoisan forefathers of Louwskloof.

A rhythmic drum beat driven initially by rim shots sets the tempo for a musical landscape where the musicians paint a picture of a culture rich with musical heritage.

Ramon Alexander’s “Echoes from Louwskloof” is a timeless legacy of one man’s reflection on his musical and homely heritage. Enjoy it!

You will. Get it. Repeat. Put it on repeat.

The album release date was 31 October 2015 and is available on iTunes.

The Ramon Alexander Band:

Ramon Alexander – Piano; Fender Rhodes

Zeke Le Grange – Tenor sax; Alto sax (Tracks 5, 7)

Chadleigh Gowar – Electric bass

Annemie Nel – Drums

Shaun Johannes – Acoustic bass (Track 6)

Marco Maritz – Flugelhorn (Track 2)

Recorded by Gerhard Roux and David De Villiers at SUN Studios, Stellenbosch.

Mixed by Gerhard Roux at SUN Studios.

Tracks 3, 5, 6 recorded by Shaun Johannes at Mahogany Studios, Cape Town.

Mastered by Tim Lengfeld at TL Mastering.

Ramon Alexander recorded on Yamaha CF3 Grand Piano and Yamaha keyboards.

Album design: Leonardo Fortuin and Igshann Ramjoo-mia at i-Studios.

All music composed by Ramon Alexander except “Giant Steps” – composed by John Coltrane.

Track list:

  1. Apex
  2. Au Lait
  3. This is the Greenhouse tha Jack Momple built
  4. I wish I knew Mankunku
  5. A little walk on the beach with a Sea Lion
  6. Giant Steps
  7. Sons and Captains
  8. Louwskloof se mense

Artist website: http://www.ramon-alexander.com/

Buy his music online: https://itunes.apple.com/au/artist/ramon-alexander/id686872501

Follow him on Facebook:https://www.facebook.com/ramon.alexander1?fref=ts

Reviewed by: Granville Skippers, 16 December 2015

Granville Skippers is an avid jazzoplogist. He hosts Just Jazz”” on Radio CCFM 107.5FM from 7-10pm. He also had a short stint hosting his own radio show on All Jazz Radio, a local online radio jazz station, http://www.alljazzradio.co.za/.

Granville is also a talented bassist and lists Victor Wooten as his favourite.

Skippers is currently involved in sound engineering at Desire of all Nations Church while working on a few projects of his own. He has a keen interest in the local  Jazz landscape and has often highlighted the talents of local musicians on his show “Just Jazz” on CCFM.

Engen Cycle in the City gears up for Cape Town

Engen Cycle in the City gears up for Cape Town
Engen Cycle in the City gears up for Cape Town

Saturday 07 November 2015. Cape Town Stadium Forecourt.

Engen Cycle in the City returns to the Mother City on Saturday, 7 November with a range of professional teams and social cyclists gearing up to tackle the fast 1.5km criterium circuit alongside Cape Town Stadium.

Although hugely popular in other parts of the world, criterium racing is a discipline that’s new to the South African cycling scene. It is widely considered vital to the development of youth riders in the sport.

untitled-185Engen Cycle in the City has drawn entries from some of the most celebrated local professional riders, including Nolan Hoffman, the winner of the recent Engen Cycle in the City event in Durban, while still offering much fun to the less serious cyclist in the Crazy Cranks category.

The event is open to competitors from across the country. It will however double up as the Provincial Criterium Championships for the Western Cape, awarding a champion jersey to the first WCC rider in each of the racing categories.

Cyclists can register online at www.cycleevents.co.za. Entries range from R20 – R65 per person. The first few hundred entrants will receive a limited Engen Cycle in the City goodie pouch.

Engen Cycle in the City 2015Due to its fast and fun nature, Engen Cycle in the City is spectator friendly offering a range of festival activities and attractions including food stalls, live music performances by Jimmy Nevis and Mi Casa, a kiddie’s carnival, and Danny MacAskill’s world famous Drop n’ Roll Show.

Though access to spectators and the village is free, each attendee requires an access ticket.  Visit Webtickets to secure your admittance now: www.webtickets.co.za

To view the full range of categories or information on how to enter visit www.engencycling.co.za

Danny MacAskill’s Drop and Roll Show live at Engen Cycle in the City

Danny MacAskill’s Drop and Roll Show live at Engen Cycle in the City
Danny MacAskill’s Drop and Roll Show live at Engen Cycle in the City

Fans of trial biking and extreme sport will be delighted to know that Engen are set to welcome Danny MacAskill’s Drop and Roll Tour to the Cape Town leg of Engen Cycle in the City.

Global superstar street trial biker MacAskill will head up a four-piece stunt team, which also includes Duncan Shaw, Fabio Wibmer, and Ali C, at the Cape Town Stadium forecourt on 7 November 2015.

The team of extreme trialists have left crowds around Europe in awe of their bike handling skills. They are looking forward to bringing their Drop and Roll Tour to the streets of the Mother City.

“We’re thrilled to be a part of the Engen Cycle in the City this year. It is the first time that the Drop and Roll Tour will perform out of Europe and we cannot wait to put on an amazing show for the fans in Cape Town, South Africa.” Commented Danny MacAskill.Drop n Roll

A YouTube sensation, MacAskill’s death defying stunts have attracted millions of fans globally, and have led to two Laureus Sports Awards nominations. Fans can book their complimentary tickets to the Drop and Roll show at Engen Cycle in the City in Cape Town by visiting www.webtickets.co.za

Spectator entry to the Engen Cycle in the City is free of charge but limited. All complimentary tickets need to be booked via www.webtickets.co.za and presented on the day to guarantee admittance.

Participant entries are now open. For a full list of race categories and applicable entry fees, please visit www.engencycling.co.za.

Flying high at the 21st Cape Town International Kite Festival in Muizenberg

21st Cape Town International Kite Festival
21st Cape Town International Kite Festival

Incredible kites will be dancing in the wind at the 21st Cape Town International Kite Festival (@CTKiteFest), happening in Muizenberg on 31st October and 1st November. Proudly hosted by Cape Mental Health, this is Africa’s biggest kite festival and fantastic family fun in support of a very good cause.

Kiters from four countries (Germany, Netherlands, South Africa and United Kingdom) will be showing off their colourful creations including a fantastic 30-metre worm and family of octopi designed by Cape Town kite-maker Ian Islip, a 77-metre Chinese dragon kite built especially for the festival by local kite-maker Philip Hattingh, and a patchwork kite comprising 1,600 pieces by Maarten van Hienen, Netherlands.

21st Cape Town International Kite Festival
21st Cape Town International Kite Festival

The Longbottoms (UK) will be showing off their flying underpants once again and two-line kiter Steven Leonard (Durban) will be showing off his Revolution tricks, skills he perfected on a recent trip to the USA. Children from 30 primary and special schools will shine on Saturday 1 November in the Let’s Play EduKite Schools’ Competition. There are also free children’s kite-making workshops every day as well as simple colouring-in competitions for younger children.

Traditional Cape Swaeltjie kites will soar on Sunday 1 November during the Heritage Kite Competition. Any local, hand-made kites can be entered and there are cash prizes to be won. Master kite-maker Ebrahim Sambo (Athlone, Cape Town) will be teaching people how to make Swaeltjie kites at free workshops on both days.

He is passionate about sharing this historic kite-making technique that has been passed down through generations of the Sambo family. With workshops, competitions, craft and food stalls as well as kiddies’ rides and live entertainment, the festival is an affordable family outing that encourages mental well-being – family time, being active and outdoors.

Cape Town International Kite Festival.
Cape Town International Kite Festival.

All profits go directly to Cape Mental Health, South Africa’s oldest mental health organisation, which has been providing vital mental health services to adults and children in poorly-resourced communities in the Western Cape for 102 years. The Cape Town International Kite Festival happens on (and above) the lawns of Zandvlei Nature Reserve, Muizenberg (corner Axminster and The Row).

Open from 10:00 to 18:00 daily, the event offers lots of parking and easy access by train (False Bay or Muizenberg stations).

Entry is R30 (R10 for children 12 years and under). Tickets available online http://www.capementalhealth.co.za and at the gate.

For info go to http://www.capementalhealth.co.za, contact Cape Mental Health on 021 447 9040 / 082 897 8173, info@cmh.org.za or follow them on Twitter and Facebook @CTKiteFest.

Diary Insert What: Cape Town International Kite Festival

Where: Zandvlei Nature Reserve, corner Axminster and The Row, Muizenberg

When: 10am to 6pm, 31 October and 1 November 2015 Cost: R30 / R10 (12 years and under)

Contact person: Greg Damster Contact details: 021 447 9040 / 082 897 8173 /

info@cmh.org.za Web: http://www.capementalhealth.co.za Facebook: http://www.facebook.com/CTKiteFest URLS http://www.capementalhealth.co.za http://www.facebook.com/CTKiteFest Twitter: @CTKiteFest Instagram: @CTKiteFest #CTKiteFest

International Kiters • Bernd Halbeck (Germany) • Peter Hulcoop (United Kingdom) • Karl and Sara Longbottom (United Kingdom) • Jacqui Mountjoy (United Kingdom) • Maarten & Tjitske van Hienen (Netherlands) • Martin & Inge Völker (Germany) South African Kiters • Peter & Xavier Binsbergen (Port Elizabeth) • John Erasmus (Durban) • Jacques Fourie & Danielle Mulder (Pretoria) • Mike Goldblatt (Cape Town) • Philip Hattingh (Kommetjie, Cape Town) • Ian & Jenny Islip (Parow, Cape Town) • Steven Leonard (Durban) • Keith Mould (Sedgefield) • Greg Mountjoy (Sedgefield) • Ebrahim Sambo (Athlone, Cape Town) • Brian & Beryl Skinner (Tableview, Cape Town) • Ashley & Mari Ware-Lane (Brackenfell, Cape Town)

About Cape Mental Health Cape Mental Health provides innovative and effective mental health services to people in poorly resourced communities in the Western Cape.

This non-profit organisation has been active for 102 years and continues to work towards a society where people with intellectual and psychiatric disabilities are included in community life and have access to education, training, work and social opportunities. For more information call 021 447 9040, email info@cmh.org.za or visit http://www.capementalhealth.co.za

FRESHLYGROUND KICKS OFF ELGIN’S HOPE@PAULCLUVER SUMMER CONCERTS

FreshlyGround
Freshlyground

Elgin’s very own forest amphitheatre at Paul Cluver Wines is gearing up to launch its first gig for the Hope@PaulCluver season. The beloved South African band Freshlyground will be the opening concert beneath the stars on Saturday, 14 November 2015.

Also supporting Freshlygound is singer Paige Mac (from Studio 7) as well as Zion Zuke (from Africa Voices Trust). Hope@PaulCluver has partnered with Africa Voices Trust and the Rural Arts Network to include more local and undiscovered talent. The marimba talents of the local De Rust School (via Rural Arts Network) and the voices of the ladies at ThembaCare Grabouw Hospice will form part of the programme on 14 November.

Paul Cluver Wine Estate Amphitheatre
Paul Cluver Wine Estate Amphitheatre

Set in a cluster of towering Eucalyptus trees, the intimate venue is ideal for friends and families to bring along cushions and blankets and settle into the unreserved seating – where everyone in the audience will find themselves up close with the action.

Patrons can bring their own picnics or purchase food at the event. Food vendors include For the Love of Food’s truck, pizza from Ishushu and a sushi bar. Ticket holders are not permitted to bring in their own drinks but wine will be available from the host venue, Paul Cluver, along with their signature Cluver Jack cider, craft beer from Triggerfish Brewery, various soft drinks and coffee from Seattle Coffee.

The ticket price is R250 per person (available on Computicket) and the gates will open at 5pm. The main act performs at 7pm. Patrons wanting to stay in the area can contact Elgin Valley Tourism – 021 848 9838 to explore accommodation options. For group transport solutions call Gaffley’s on 021 859 2561.

The next concert after Freshlyground will be Bobby van Jaarsveld on 12 December. The season’s full programme is available on www.hope.org.za

 

ABOUT THEMBALITSHA

Thembalitsha is the beneficiary of all profits made from the Hope@PaulCluver concerts. The Elgin Valley is an area of extreme need. 40% of households live below the poverty line on less than R2000 a month. With a massive migrant population due to the seasonal nature of farm employment, the valley struggles to cope with the social and medical issues that arise from the poverty and the large-scale informal settlements that have rapidly developed.

Thembalitsha’s mission is to provide hope by developing disadvantaged people to a point of self-reliance through the provision of healthcare, education and training. They invest in communities throughout the Cape and currently manage nine projects, three of which operate within the Elgin Valley and respond specifically to the essential needs of the area:

  • ThembaCare Grabouw serves as the only overnight 24-hour hospice facility in a town of 65,000. This seven-bed hospice is designed to provide quality palliative care for those who are terminally ill and whose lives have been devastated by HIV/AIDS, TB and cancer. They also have a large team of home-based carers who make weekly visits to more than 350 people living with HIV, TB and other chronic illnesses in the townships of Grabouw as well as offering free counselling and testing to the community.
  • The Village of Hope provides a safe and loving home for children infected or affected by HIV/AIDS or TB on a farm in the rural town of Grabouw, South Africa. The twelve-bed Children’s Unit has served as a haven for dozens of children over the last six years – some for very short periods of time and others for several years.
  • EduCare Grabouw is Thembalitsha’s new Early Childhood Development (ECD) project in Grabouw. This exciting initiative contributes to meeting a critical community need: essential ECD centres for children who otherwise would not receive adequate training and education. Through a network of renovated or newly built EduCare facilities, hundreds of children under the age of five and their teachers will receive quality training.

Until recently the area had a known HIV infection rate of 35% but thanks to the hard work of Thembalitsha and other organisations working in the community this rate has been greatly reduced.

ABOUT THE PAUL CLUVER ESTATE

The Paul Cluver Estate is a family-owned, family-operated wine estate also based in the Elgin Valley. The family has owned the property since 1896, and are recognised as pioneers of wine in the area. They focus on producing elegant wines that are expressive of the territory that have earned them numerous awards locally and internationally.